Skip to content
Creative Kicks Media
Mike Jaballah working as sound recordist on a Carl Cox shoot in Melbourne

Location Sound Recording in Melbourne

Sound recordist for film, TV, reality, doco TVC and corporate productions. We arrive with a plan, build quickly and capture usable audio from the first take. 15+ years of broadcast production behind us.

Just need the gear? Hire location sound gear and run it yourself.

IF THE AUDIO IS COOKED, THE MOMENT IS GONE.

You can fix a lot of things in post but studios and ADR cost time and money and never quite sound like the real thing. You can always use AI, but that ends up sounding a little bit off and then you’re still having to rebuild the atmos so an outdoor scene doesn’t sound like you’re in a recording booth. We’ve been on enough sets to know what goes wrong and how to stop it happening. We show up with obsessively organised setups, know set etiquette and we know the technical standards before your post team asks.

We’re not the crew you’ll have to micro manage on the day.

WHO WE WORK WITH

WHO IT’S FOR?

01

TV & Broadcast

Documentary, reality and lifestyle. We know what audio needs to sound like before it hits the broadcast desk.

02

Advertising & TVC

Clean dialogue from every angle. Your agency shouldn’t be fighting audio problems in the edit suite.

03

Live Music Performances

Concerts, festivals, live music venues. Clean multi-track from the stage, timecode synced with your video crew.

04

Corporate Production

Interview, testimonial, panel. Whatever the setup, we make it sound like you’re in the room.

05

Motorsport & Sport

Specialist rigging, remote recording and IFB solutions. Fast-moving, high-pressure days. That’s what we do.

06

Reality & Unscripted

Things move fast on unscripted shows. We build setups that move with the production, not against it.

TECHNICAL DELIVERABLES

Boom & Wireless Coverage

Dual-operator boom and wireless lav workflows for complex multi-speaker scenes.

48k/24bit Multi-Track

Full ISO tracks. No clipping, full dynamic range. Post gets everything they need.

Timecode Sync

Jam sync timecode for multi camera workflow. Simple handoff to the editors.

Production Sound Reports

Scene by scene, take by take. All the info so there’s nothing ambiguous for the editor to interpret.

Clean Dialogue Stems

ISOs and a premix, formatted to your post workflow.

Broadcast File Delivery

BWF WAV clearly labelled and organised to your naming convention.

Sound bag and mixer in the foreground with an interview set up behind

THE WORKFLOW

  1. 01

    Pre-Production

    We read the script, review the shot list and check the production schedule before day one. If there’s a problem, we find it at this stage.

  2. 02

    Kit Prep

    Custom kit list built for your specific shoot and setup. Nothing that slows us down on set, nothing missing when we need it.

  3. 03

    On-Set

    Quiet, organised and production aware. We get along with any crew and we know how to stay out of the shot.

  4. 04

    Files and Handover

    Handover to your edit team on the same day. Backed up on the cloud. Labelled multitracks, full sound reports, no wondering what syncs to what.

Boom microphone recording location sound on a documentary shootMike Jaballah with Heath and Tony from The Amazing Race, sitting in the water in Belize after an interviewLocation sound crew with three boom mics up on a white sandbank while filming All the SharksMike Jaballah working as sound recordist on a Carl Cox shoot in MelbourneCreative Kicks location sound crew filming The Amazing RaceLocation sound recording for The Amazing Race in Fremantle

WHY CHOOSE US

10+ YEARS ON SET
BROADCAST GRADE GEAR
$20M PUBLIC LIABILITY INSURANCE
SAME DAY FILE HANDOVER