
Location Sound Recording in Melbourne
Sound recordist for film, TV, reality, doco TVC and corporate productions. We arrive with a plan, build quickly and capture usable audio from the first take. 15+ years of broadcast production behind us.
Just need the gear? Hire location sound gear and run it yourself.
IF THE AUDIO IS COOKED, THE MOMENT IS GONE.
You can fix a lot of things in post but studios and ADR cost time and money and never quite sound like the real thing. You can always use AI, but that ends up sounding a little bit off and then you’re still having to rebuild the atmos so an outdoor scene doesn’t sound like you’re in a recording booth. We’ve been on enough sets to know what goes wrong and how to stop it happening. We show up with obsessively organised setups, know set etiquette and we know the technical standards before your post team asks.
We’re not the crew you’ll have to micro manage on the day.
WHO WE WORK WITH
WHO IT’S FOR?
TV & Broadcast
Documentary, reality and lifestyle. We know what audio needs to sound like before it hits the broadcast desk.
Advertising & TVC
Clean dialogue from every angle. Your agency shouldn’t be fighting audio problems in the edit suite.
Live Music Performances
Concerts, festivals, live music venues. Clean multi-track from the stage, timecode synced with your video crew.
Corporate Production
Interview, testimonial, panel. Whatever the setup, we make it sound like you’re in the room.
Motorsport & Sport
Specialist rigging, remote recording and IFB solutions. Fast-moving, high-pressure days. That’s what we do.
Reality & Unscripted
Things move fast on unscripted shows. We build setups that move with the production, not against it.
TECHNICAL DELIVERABLES
Boom & Wireless Coverage
Dual-operator boom and wireless lav workflows for complex multi-speaker scenes.
48k/24bit Multi-Track
Full ISO tracks. No clipping, full dynamic range. Post gets everything they need.
Timecode Sync
Jam sync timecode for multi camera workflow. Simple handoff to the editors.
Production Sound Reports
Scene by scene, take by take. All the info so there’s nothing ambiguous for the editor to interpret.
Clean Dialogue Stems
ISOs and a premix, formatted to your post workflow.
Broadcast File Delivery
BWF WAV clearly labelled and organised to your naming convention.







