Creative Kicks Media
25 August 2026DRONE SERVICES

DRONE PERMITS MELBOURNE: A GUIDE FOR COMMERCIAL SHOOTS

Flying a drone in Melbourne isn’t as simple as taking to the skies. Here’s the permit guide.

Drone Permits Melbourne: A Guide for Commercial Shoots

Drone Permits Melbourne: A Guide for Commercial Shoots

Wondering How to Obtain Drone Permits in Melbourne?

Flying a drone in Melbourne is the easy part. Getting the approvals right is what saves a shoot. Drones are not toys anymore. They are tools for film, photo, construction, events, and marketing. But Melbourne has a few layers to work through before you even think about take off. CASA rules, airspace, land manager permissions, council rules, and sometimes a separate filming permit. Miss one step and you either cannot fly, or you fly and regret it later. Approvals and airspace issues frequently come up on our Melbourne drone photography jobs. This guide is the practical version. What to check, who you need permission from, and what usually trips people up. First, know what you are actually asking for Most people say “drone permit” as one thing. In Melbourne it is usually a mix of:

  • CASA rules you must follow every flight
  • Airspace approval if you are near controlled airspace
  • Landowner or land manager permission to launch and operate from a site
  • Council permission in some public spaces
  • Event permission if there is a crowd or a major event
  • Extra planning if you are near emergency services, helipads, or sensitive sites

CASA is the aviation side. Councils and land managers are the ground side. You need both.

Step 1.
Confirm whether you are flying recreational or commercial

Recreational is flying for fun. No money, no business purpose, no client outcome.  Commercial is anything tied to work. Paid job, content for a business, real estate, construction progress, marketing, or anything where the footage is part of a business outcome. If it is commercial, you are in CASA’s “excluded category” rules (for small drones) or you are operating under a RePL and usually a ReOC setup depending on the job and risk profile. Either way, you need to be able to prove you are operating legally.

Step 2.
Lock in your drone and operating category

Before you chase approvals, you need to know what you are flying and how. Drone weight matters. Under 2 kg has different options than heavier platforms. Your planned flight also matters. For example, close to people, over a busy area, near controlled airspace, at night, or near a populous area changes what is possible and what approvals you need. If you are hiring a pilot, this is where you stop guessing and ask them what category they are operating under and what approvals they can apply for.

Step 3.
You need an Aviation Reference Number (ARN)

If you are doing anything with CASA systems, start with an ARN. It is your identifier inside CASA. Go to CASA and apply online. Keep the ARN handy because it is used for accreditations, portal access, and some application processes.

Step 4.
Use CASA’s airspace tools before you plan the shoot

Do not plan a drone job in Melbourne without checking the airspace first. Melbourne has controlled airspace around major airports and plenty of areas with constraints. What looks like a normal suburb can still be inside a controlled zone, a restricted area, or under a flight path. Use CASA’s “OK2Fly” resources to check. What you are looking for:

  • Is it controlled airspace
  • Are there nearby aerodromes or helipads
  • Are there restrictions like military areas or temporary restrictions
  • Are there nearby emergency operations that could create a temporary no fly area

This one step can save you from pitching a shot that cannot be flown.

Step 5.
Work out what permission you need from CASA

This is where the word “permit” usually lives. If you are outside controlled airspace and you can comply with standard operating conditions, you may not need a specific CASA approval for the flight itself. You still need to comply with the rules. If you are near controlled airspace or in a restricted area, you will likely need airspace approval. If you want to do anything outside standard operating conditions, that is when approvals become essential. Examples that often trigger extra steps:

  • Near controlled airports
  • Near a big crowd or event
  • Flights that reduce separation from people
  • Night flights
  • Complex built up environments where safety buffers are hard

A legit operator will tell you what is realistic before you promise anything to a client.

Step 6.
Landowner and land manager permissions in Melbourne

Even if CASA says “yes”, you still need permission to operate from the location. If you are on private property, that is owner permission. If you are on public land, it is often a land manager. That can include a council, Parks Victoria, or another authority depending on the site. This matters because councils can restrict take off and landing from certain parks or public areas, even if the airspace is fine. Some places also have specific rules about commercial filming, tripods, crews, and vehicle access. If your job includes a crew, talent, signage, or any form of setup, treat it like filming, not just flying.

Step 7.
Local council rules and filming permits

Some councils require permits for commercial filming in public spaces, and drones can be part of that. It is not consistent across Melbourne, which is why you check early. A quick way to think about it: Small footprint, quick capture, no crowd control. Often simpler. Bigger footprint, public activation, crowd, traffic, road occupancy. Expect permits and extra lead time. If you are flying near a road, construction site, or active public area, you may also need traffic management or a site specific safety plan.

Step 8.
Licensing basics for commercial operators

Here is the plain English version. RePL is the licence to fly commercially. ReOC is the operator certificate for businesses, and it is the framework that sits around procedures, safety systems, and permissions. It is also commonly tied to applying for certain approvals and showing you have a proper operational structure. CASA accreditation exists for certain small drone operations, but it does not automatically cover higher risk jobs. If you are booking a pilot, ask them one question: are you operating under RePL and what approvals can you actually secure for this location and flight profile. If they cannot answer cleanly, move on.

Step 9.
Safety and planning that actually prevents problems

Permits aren’t just paperwork. The goal is a safe flight that does not get shut down. A sensible pre flight process includes:

  • Site check for obstacles, take off and landing area, people flow
  • Weather check, including wind at altitude
  • Battery and aircraft health checks
  • Plan for line of sight and separation
  • Briefing for anyone on site who could walk into your operating area
  • Clear call on go or no go based on conditions

If you are near people or operations, you want an observer and a plan that makes sense.

Step 10.
Keep up with changes

CASA rules and local restrictions move over time. Temporary restrictions also happen fast. Emergency services and major events can lock areas down with little notice. Check airspace on the day. Not the week before. On the day. That is the real “permit” habit that keeps you compliant. Most permit issues in Melbourne come down to two things. People only check CASA, or they only check the council. You need to check both, early, and you need to match the flight plan to what is actually legal and safe. This is all part of the same process we follow on commercial drone work in Melbourne, from planning through to delivery.​

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About the Author

Mike Jaballah wearing his sound bag in a blue washed town in Morocco

Mike “Jabs” Jaballah

Founder and Director. Location Sound Recordist. CASA Licensed Drone Pilot.

Mike got started DJing and running live audio in his teens. Studied sound production at RMIT, did his time in corporate AV and has spent over a decade working across live sound, broadcast, music production, drone photography, drone video and more recently camera work.

MORE ABOUT MIKE
Mike Jaballah at his sound cart on a Carl Cox shoot, in black and white

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